On the romances of marriage, love and solitude: freedom and transgression in Cape York Peninsula in the early to mid twentieth century

Jinki Trevillian

Table of Contents

Romance and rebellion
Fiction and truth in Cape York Peninsula romances
Singing songs of love
Tradition and the separation of men and women
The permission of family and church, or marriage as freedom
Making a song and dance about it
Relationships and community
Illicit love and illegal relationships
Censorship and homosexuality
Reluctance to wed: the love of solitude and independence
End note
Acknowledgements
References
Primary sources
Secondary sources

Romance and rebellion

Our romances are lived as much in our imaginations as in reality. Always included in our experiences are the thoughts and feelings that expand beyond the given situation, the things not said or done. These romantic relationships extend boundaries, and are met with repression. Rebellious relationships that break the laws of a society question the values of that society. People desire to protect their intimate stories precisely because of the possibility of public conflict and censure. Theodore Zeldin writes that:

For most of history, love has been considered a threat to the stability of the individual and of society, because stability was usually valued more highly than freedom.[1]

Social attitudes to sex and relationships are internalised. In our cultivation of these values, however, it is our individual take on them that allows for the possibility of change. Social and moral laws define relationships as acceptable or transgressive, and yet there is always room for innovation and exploration when we create a specific intimate and personal space. Each of our intimate relationships has its rich history. In this way it is possible to start revolutions in the bedroom.

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